{"id":2,"date":"2013-01-13T21:14:42","date_gmt":"2013-01-13T21:14:42","guid":{"rendered":"https:\/\/simbolo.diabolo.historiasdaarte.com\/?page_id=2"},"modified":"2020-06-10T10:15:46","modified_gmt":"2020-06-10T10:15:46","slug":"sample-page","status":"publish","type":"page","link":"https:\/\/simbolo.diabolo.historiasdaarte.com\/?page_id=2","title":{"rendered":"Bibliografia &#038; Media"},"content":{"rendered":"<ul><strong>Textos<\/strong><\/ul>\n<li><a href=\"http:\/\/ibpan.com.br\/site\/images\/stories\/Downloads\/Estudos_Biblicos\/O%20Sagrado%20e%20o%20Profano.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"> Mircea Eliade, O sagrado e o Profano <\/a><\/li>\n<li><a href=\"http:\/\/sortir.telerama.fr\/evenements\/expos\/les-maitres-du-desordre,67425.php\" target=\"_blank\" rel=\"noopener noreferrer\">Les Ma\u00eetres du d\u00e9sordre<\/a><\/li>\n<li><a href=\"http:\/\/www.wook.pt\/ficha\/comportamento-animal\/a\/id\/11237296\" target=\"_blank\" rel=\"noopener noreferrer\"> Nuno Faria, Jorge Molder- Comportamento Animal <\/a><\/li>\n<li><a href=\"http:\/\/www.aakkozzll.com\/pdf\/arnheim.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Rudolph Arnheim, Entropy and Art. An Essay on Disorder and Order<\/a><\/li>\n<li><a href=\"http:\/\/www2.dbd.puc-rio.br\/pergamum\/tesesabertas\/0510835_09_cap_01.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Tatiana da Costa Martins. ROBERT SMITHSON: \u201c&#8230; a terra, sujeita a cataclismos, \u00e9 uma mestra cruel<\/a><\/li>\n<li><a href=\"http:\/\/users.erols.com\/jonwill\/utopialist.htm#LISTS%20OF%20RESOURCES\" target=\"_blank\" rel=\"noopener noreferrer\"> utopias-textos <\/a><\/li>\n<li><a href=\"http:\/\/www.itis-einstein.roma.it\/sforzinda\/home.htm\" target=\"_blank\" rel=\"noopener noreferrer\"> Della citt\u00e0 ideale alla citt\u00e0 reale <\/a> <\/li>\n<li><a href=\"http:\/\/hem.passagen.se\/replikant\/links.htm\" target=\"_blank\" rel=\"noopener noreferrer\"> Distopias <\/a><\/li>\n<li><a href=\"http:\/\/babelstone.blogspot.com\/2007\/01\/72-views-of-tower-of-babel.html\" target=\"_blank\" rel=\"noopener noreferrer\"> Torre de Babel <\/a><\/li>\n<li><a href=\"http:\/\/issuu.com\/cocanhazie\/docs\/king_camp_gillette__world_corporation?mode=a_p\" target=\"_blank\" rel=\"noopener noreferrer\"> King Camp Gillette, &#8220;World Corporation&#8221;<\/a><\/li>\n<li><a href=\"http:\/\/www.bartleby.com\/24\/2\/\" target=\"_blank\" rel=\"noopener noreferrer\">Edmund Burke, On the Sublime <\/a><\/li>\n<li><a href=http:\/\/www.borges.pitt.edu\/bsol\/documents\/0503.pdf REL=_\u201dnofollow\u201d> Louis Marin, L\u2019utopie de la carte <\/a><\/li>\n<li><a href=\"http:\/\/issuu.com\/cocanhazie\/docs\/belo-feio?mode=a_p\" target=\"_blank\" rel=\"noopener noreferrer\"> Bragan\u00e7a de Miranda- \u201cO retorno do Belo\u201d; \u201cSobre o Feio\u201d <\/a><\/li>\n<\/ul>\n<ul><strong>Simulacros<\/strong><\/ul>\n<li><a href=\"http:\/\/issuu.com\/cocanhazie\/docs\/simulacros-_lucrecio?mode=a_p\" target=\"_blank\" rel=\"noopener noreferrer\"> Lucr\u00e9cio- simulacros <\/a><\/li>\n<li><a href=\"http:\/\/pt.scribd.com\/doc\/44556046\/Jean-Baudrillard-Simulacros-e-simulacao-completo\" target=\"_blank\" rel=\"noopener noreferrer\"> Jean Baudrillard, Simulacros e simula\u00e7\u00f5es <\/a><\/li>\n<li><a href=\"http:\/\/www.google.pt\/url?sa=t&#038;source=web&#038;ct=res&#038;cd=2&#038;ved=0CBAQFjAB&#038;url=http%3A%2F%2Fpapers.ssrn.com%2Fsol3%2FDelivery.cfm%2FSSRN_ID1306607_code524668.pdf%3Fabstractid%3D1141383%26mirid%3D1&#038;ei=GmhXS9zyH46D4Qbs7KzFAw&#038;usg=AFQjCNErZEWrZEZWHDgdp6qzcRRDW9u1jw&#038;sig2=dLjun7cf-MqN9RMK6_TzQQ\" target=\"_blank\" rel=\"noopener noreferrer\"> Money as simulacrum <\/a><\/li>\n<li><a href=\"http:\/\/chambreclaire.egloos.com\/2875802\" target=\"_blank\" rel=\"noopener noreferrer\"> Gerhard Richter and the Simulacrum <\/a><\/li>\n<li><a href=\"http:\/\/books.google.pt\/books?id=qVl6hmV3g3kC&#038;pg=PA266&#038;lpg=PA266&#038;dq=gilles+deleuze+logic+of+sense+simulacra&#038;source=bl&#038;ots=YgoL8zbOcX&#038;sig=EMK7ahhoM03zFURBh9gSnOvw1eM&#038;hl=pt-PT&#038;ei=QnD9SvDLFM2s4Qa2z6jzCw&#038;sa=X&#038;oi=book_result&#038;ct=result#v=onepage&#038;q=&#038;f=false\" target=\"_blank\" rel=\"noopener noreferrer\">Gilles Deleuze, The logic of the sense <\/a><\/li>\n<li><a href=\"http:\/\/www.scribd.com\/doc\/20362020\/Plato-and-the-Simulacrum\" target=\"_blank\" rel=\"noopener noreferrer\"> Deleuze, Plato and simulacrum <\/a><\/li>\n<li><a href=\"http:\/\/books.google.pt\/books?id=XmZrBLEDM7YC&#038;printsec=frontcover&#038;hl=pt-PT&#038;source=gbs_ge_summary_r&#038;cad=0#v=onepage&#038;q&#038;f=false\" target=\"_blank\" rel=\"noopener noreferrer\">Scott Durham, Phantom communities: the simulacrum and the limits of postmodernism <\/a><\/li>\n<li><a href=\"http:\/\/www.rae.com.pt\/Freud1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"> Freud, the uncanny<\/a><\/li>\n<li><a href=\"http:\/\/books.google.pt\/books?id=AkFtBAWJkiYC&#038;printsec=frontcover&#038;source=gbs_v2_summary_r&#038;cad=0#v=onepage&#038;q=&#038;f=false\" target=\"_blank\" rel=\"noopener noreferrer\"> Georges L. Hersey, Falling in love with statues<\/a><\/li>\n<li><a href=\"http:\/\/books.google.pt\/books?id=v7fgpBJM_nQC&#038;pg=PA25&#038;lpg=PA25&#038;dq=lucretius+de+rerum+natura+simulacra&#038;source=bl&#038;ots=0VIy14leP9&#038;sig=xgDd9qgHgKJezdxmHVyF7ELS3Ko&#038;hl=pt-PT&#038;ei=wX39SonmMI2u4QbElfmBDA&#038;sa=X&#038;oi=book_result&#038;ct=result&#038;resnum=8&#038;ved=0CDUQ6AEwBzgK#v=onepage&#038;q=lucretius%20de%20rerum%20natura%20simulacra&#038;f=false\" target=\"_blank\" rel=\"noopener noreferrer\"> Dario Gamboni, Potential images; ambiguity and indeterminacy in modern art <\/a><\/li>\n<li><a href=\"http:\/\/faculty.washington.edu\/cbehler\/glossary\/simulacr.html\" target=\"_blank\" rel=\"noopener noreferrer\"> Michael Camille, Three Simulacrum <\/a><\/li>\n<li><a href=\"http:\/\/books.google.pt\/books?id=iZawYU9SfU4C&#038;printsec=frontcover&#038;hl=pt-PT#v=onepage&#038;q&#038;f=false\" target=\"_blank\" rel=\"noopener noreferrer\">The Uncanny: Experiments in Cyborg Culture <\/a><\/li>\n<li><a href=\"https:\/\/docs.google.com\/viewer?a=v&#038;q=cache:i8z2-CQbXUAJ:public.callutheran.edu\/~brint\/American\/Eco.pdf+&#038;hl=en&#038;pid=bl&#038;srcid=ADGEESh0PeGsALtv_JEy4WaqG6SfBRUYct4VY788rAIXT0N3qV1ccHxOhuA6aRG9yBkY_ezrFz95UAAbgIVdOSh-BF9WiDlBMgfm_i0lCwgSZap4j8M3xIjikxjHijlaBKqzG6Rale-c&#038;sig=AHIEtbSgDdpB-CO8WqlsYKXMaEvmVCZFnA\" target=\"_blank\" rel=\"noopener noreferrer\"> Umberto Eco, Travels in hiperreality <\/a><\/li>\n<li><a href=\"https:\/\/www.box.com\/shared\/static\/zl2y2ggln4231zawgxod.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"> Willy Orskov, Terreno Vago e organiza\u00e7\u00f5es de materiais simples <\/a><\/li>\n<li><a href=\"http:\/\/issuu.com\/cocanhazie\/docs\/art?viewMode=presentation\" target=\"_blank\" rel=\"noopener noreferrer\">Douglas Gordon, Vanity of Allegory<\/li>\n<li><a href=\"http:\/\/202.121.96.130\/Download\/20091207184417_734640623434.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"> John Cheever, the swimmer <\/a><\/li>\n<\/h5>\n<ul><strong>Media <\/strong><\/ul>\n<p><script type=\"text\/javascript\" \n\tsrc=\"http:\/\/writing.upenn.edu\/js\/playtagger.js\"><\/script><\/p>\n<h5>\n<ul>\n<p><script type=\"text\/javascript\" \n\tsrc=\"http:\/\/writing.upenn.edu\/js\/playtagger.js\"><\/script><\/p>\n<li> <a href=http:\/\/www.natureza.historiasdaarte.com\/wp-content\/uploads\/2009\/11\/Borges.mp3>Borges<\/a><\/li>\n<li><a href=\"http:\/\/www.youtube.com\/watch?v=GtwUEG6oCtw\" target=\"_blank\" rel=\"noopener noreferrer\"> Jean Rouch, Moro Naba <\/a><\/li>\n<li><a href=\"http:\/\/www.youtube.com\/watch?v=rQPRLMbbB3U\" target=\"_blank\" rel=\"noopener noreferrer\"> Robert Bresson, quatre nuits d&#8217;un r\u00eaveur <\/a><\/li>\n<li><a href=\"http:\/\/www.youtube.com\/watch?v=bIixu7mbxDo\" target=\"_blank\" rel=\"noopener noreferrer\">Expo: Magic of the White City <\/a><\/li>\n<li><a href=\"http:\/\/vodpod.com\/watch\/280348-metropolis-1927-dir-by-fritz-lang\" target=\"_blank\" rel=\"noopener noreferrer\"> Fritz Lang, Metropolis <\/a><\/li>\n<li><a href=\"http:\/\/www.laurentpernot.net\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Laurent Pernot <\/a> <\/li>\n<li>\n<script type=\"text\/javascript\" \n\tsrc=\"http:\/\/writing.upenn.edu\/js\/playtagger.js\"><\/script><a href=http:\/\/www.natureza.historiasdaarte.com\/wp-content\/uploads\/2009\/11\/Borges.mp3>Borges<\/a><\/li>\n<li><a href=http:\/\/www.snapdrive.net\/files\/340334\/william%20s%20burroughs-%20naked%20lunch%20%20-%20ordinary%20men%20and%20women.mp3>W.S. Burroughs <\/a><\/li>\n<li><a href=http:\/\/www.eso-garden.com\/specials\/bbc_4_hell.mp3>Inferno<\/a><\/li>\n<li><a href=\"http:\/\/video.google.com\/videoplay?docid=8237631301276027971#\" target=\"_blank\" rel=\"noopener noreferrer\"> L&#8217;Inhumaine <\/a><\/li>\n<li><a href=\"http:\/\/www.fucinedigitali.com\/aporia\/aporia.htm\" target=\"_blank\" rel=\"noopener noreferrer\"> aporia <\/a><\/li>\n<\/ul>\n<p><\/span> <\/h5>\n<h3><span class=\"slash\"><\/span><\/h3>\n<div class=\"clear\"><\/div>\n<div class=\"tags\">\n<\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Textos Mircea Eliade, O sagrado e o Profano Les Ma\u00eetres du d\u00e9sordre Nuno Faria, Jorge Molder- Comportamento Animal Rudolph Arnheim, Entropy and Art. An Essay on Disorder and Order Tatiana da Costa Martins. ROBERT SMITHSON: \u201c&#8230; a terra, sujeita a cataclismos, \u00e9 uma mestra cruel utopias-textos Della citt\u00e0 ideale alla citt\u00e0 reale Distopias Torre de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/simbolo.diabolo.historiasdaarte.com\/index.php?rest_route=\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simbolo.diabolo.historiasdaarte.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/simbolo.diabolo.historiasdaarte.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/simbolo.diabolo.historiasdaarte.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/simbolo.diabolo.historiasdaarte.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2"}],"version-history":[{"count":7,"href":"https:\/\/simbolo.diabolo.historiasdaarte.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":186,"href":"https:\/\/simbolo.diabolo.historiasdaarte.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions\/186"}],"wp:attachment":[{"href":"https:\/\/simbolo.diabolo.historiasdaarte.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}